
这是一个由塑料构造而成的鲜活地狱,有着四个在这奇异而孤立世界中生活的人,在这里,完全没有其他生物,四周被无法穿透的半透明的屏幕所包围。这个世界的居民能否摆脱这种单调乏味的生存状态?他们是否有这样的意愿和意识?为了抵御命运,为了摆脱无聊,他们日复一日地跳舞,精准地、热情地、充满激情地。一次偶然的邂逅,一次无法停止的追寻——也许,只是也许我们这四位朋友最终会做出最关键、最叛逆的行为:也许他们会对自己所处的生活感到惊讶。正如西奥兰所说,“一个文明始于一个神话,终于怀疑。我们需要重新创造我们自己的神话”。安东·拉契克创作的《孤岛》,以一个“新神话”拉开序幕,这个神话或许指向我们现代世界的崩溃,同时勾勒出一个可能重生的轮廓。
Les Autres is the story of four people who are living in a strangely isolated world. A living hell made out of plastic, entirely devoid of other living beings, and surrounded by impenetrable, translucent screens. Will its inhabitants manage to liberate themselves from this drab and dreary existence? Will they want to?
To keep fate at bay, to keep boredom in check, they dance. Day after day, they dance. With precision, with fervor, with passion. A fortuitous encounter, a refusal to stop searching - maybe, just maybe our four friends will end up committing the most crucial, the most rebellious of all acts: maybe they will allow themselves to be amazed at life.
As Cioran put it, ‘A civilisation begins with a myth and it ends with doubt. We need to reinvent our own myths’. This new piece by Anton Lachky starts with a new myth, a myth that points forward to the downfall of our modern world, whilst sketching the contours of a possible rebirth.