May B sets in motion the parade of a drifting human condition with the invention of an abrupt theatrical language that transforms the ridiculous, the violent and the distressing in situations. The power comes from its capacity to represent the mystery of our presence in the world. This piece is based on the writings of Samuel Beckett, whose work contradicts in its theatrical movement and atmosphere the physical and aesthetic performance of a dancer, has enabled us to lay the grounds for a secret deciphering of our most intimate, hidden and ignored gestures. To succeed in unveiling the tiny or spectacular gestures of the many unnoticeable and inconspicuous lives in which waiting and «not quit still» stillness create a void, a huge nothingness, a silent space filled with the hesitations. When Beckett’s characters yearn for stillness, they cannot help moving; be it a little or a lot, they move. In this essentially theatrical work, the point, for us, was less to develop words and speech than the blown-up form of movement, thus seeking the meeting point between movement applied to theatre on the one hand and dance and choreographic language on the other.